Friday, March 28th the Groop Gallery will be hosting the opening night reception of “Mountain Diaries” Featuring original artworks by Crystalynn Tarr.
Join for the opening night reception of”Into the Deep” on November 8th!
Check out all the events lined up for “GROOPFEST” at the Groop Gallery for Culture Days weekend! See posters below and join the fun!
On June 7th, join us for opening night reception of “The Cowboy Way’” featuring artworks by Lesley White.
Join us for the “Best Damn Little Art Auction Ever” on April 19th and the opening night reception of “Ekphrasis” on April 26th!
Greetings from the Groop Gallery!
Hope you have all enjoyed a safe and Merry Holiday season! We saw many special events, opening nights, and lots of great art come through the Groop Gallery throughout 2012, and ideas are now in the works for the year to come! Many, many thanks to all of you who support these endeavors, and for supporting the gallery. This coming May 1st will mark the third Anniversary for the Groop Gallery- Wow! The Gallery is closed to regular hours now for January and February and will re-open Friday, March 1st. Keep posted for Opening night plans! Open to appointment only during this time by calling Melanie at 250-561-1442.
Happy 2013 Everyone!
Join us for the opening night reception of “Home” November 30.
Claire Kujundzic – featured artist for November!
Artist Perry Rath- featured artist in October.
“HOME” groop exhibition scheduled for December.
Please check back for details and dates for upcoming events.
Ramping up for an exciting fall/winter season at the Groop Gallery!
Join us for the opening night reception of “Undergrowth” June 1st
Join us for the opening night reception of “Fruition” May, 11
New call for submissions for Spring 2012
“SOMETHING OLD; SOMETHING NEW” will be on display until the end of 2011.
Opening night November 4th – Join us!
“DREAMS & FRAGMENTS” Also in November
“BROTHERNESS” September 9th.
“SOMETHING OLD; SOMETHING NEW”
Featured Artist for March
“CUTBLOCKS & FIELDS”
Excursions/work in Canada’s High Arctic (1988, 1991), to the Antarctic Peninsula (1999), and to Nunavut and Greenland (2006) have changed my life. My earlier polar artworks have been exhibited in solo exhibits in Quesnel, Smithers, Vancouver and Wells, B.C. as well as in Antofagasta, Chile. Selected works from “Polar Perspectives” will be exhibited at the Groop Gallery in Prince George, B.C. commencing October 15, 2010. Please see Studio notes for details.
Following a 2006 polar journey I began developing the series,
“Polar Perspectives”. The works are created using acrylic and oil paints to convey impressionistic images of Arctic shifting light and form. Often superimposed on the canvas is a kayak: an indicator of the change inherent in Inuit life. Images swirl of light and life-filled landscape, of animal and human populations in the face of ongoing challenges.
“FROM HERE TO THERE: and back again”
I have been painting since 1982 and received a Fine Arts Diploma in 2002. I have experienced success in many mediums; painting, photography, printmaking, digital art, and drawing.
I started out doing extreme realism with no desire to understand or venture into abstraction. It wasn’t until I was in university with professors pushing me into being looser in my work and the frustration I felt at not being able to be ‘loose’ that I started to gain a respect for the world of abstraction. After finishing university I thought the desire to connect with abstraction would leave…instead it became stronger compelling me to keep pushing through to understand how to do abstraction. Finally I came to recognize how ‘understanding’ wasn’t the answer…it was emotion.
My work now takes me from the realm of realism to abstraction; abstraction to realism; revolutions of two separate worlds which sometimes meet on canvas as one. The two techniques satisfy me in different ways. The world of realism feeds my linear, logical, analytical side through control and precision; the world of abstraction is helping feed my soul and unearth my emotions through intuitive expression and freedom of movement. My realistic paintings or drawings have clear end results from the beginning; abstract paintings are done one step at a time with no idea what the end result will be until I’m there.
My realism work is now done mostly in charcoal on canvas with an acrylic finish; a technique I stumbled upon and perfected; whereas my abstracts, done in acrylic, are vibrant and sometimes wild variations of texture and colour.
To help me further discover who I am as an artist I started a year long commitment this last January (2010) of doing an abstract painting a day, with my non-dominant left hand, and writing a short blog about each day’s experience.
Seeing Milan Basic’s work on the wall at Groop Gallery makes one of his first comments self-evident.
“I prefer working big,” he says at the opening of A Perfect Wurld on Friday evening. “I was, and still am, a mural painter, so I’m used to working on a large scale.”
Many of the works are mixed-media, having a three-D look that stretches around the sides of the canvas.
“I don’t like framing,” Basic says. “I like to let the work flow.”
And while none of his paintings flow all the way around to the back of the canvas for a full three-D experience, he does work in three dimensions at times.
“The first painting I turned into a sculpture is that one,” he says, indicating The World is Flat. “It shows the world, with the corruption eating it from the inside.” Read More…